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<channel>
	<title>Nina Royle</title>
	<link>https://ninaroyle.co.uk</link>
	<description>Nina Royle</description>
	<pubDate>Wed, 29 Aug 2018 11:51:12 +0000</pubDate>
	<generator>https://ninaroyle.co.uk</generator>
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	<item>
		<title>Work</title>
				
		<link>https://ninaroyle.co.uk/Work</link>

		<pubDate>Mon, 09 Jul 2018 11:49:06 +0000</pubDate>

		<dc:creator>Nina Royle</dc:creator>

		<guid isPermaLink="true">https://ninaroyle.co.uk/Work</guid>

		<description>
	
	

	
	

	
	
 &#38;nbsp; &#38;nbsp;

	
	
	

	
	

	
	

	
	


&#60;img width="2480" height="2091" width_o="2480" height_o="2091" data-src="https://freight.cargo.site/t/original/i/399d9c00af36e94d201dd26e5c7c367de3a2920a27ba07f418dd1df1108c6024/Sun-Hands-cropped.jpg" data-mid="20156527" border="0" alt=" Sun Hands &#124; oil on a shaped wood and gesso panel &#124; 22 x 19 cm &#124; 2016 &#124; Photo: Ollie Marshall" data-caption=" Sun Hands &#124; oil on a shaped wood and gesso panel &#124; 22 x 19 cm &#124; 2016 &#124; Photo: Ollie Marshall" src="https://freight.cargo.site/w/1000/i/399d9c00af36e94d201dd26e5c7c367de3a2920a27ba07f418dd1df1108c6024/Sun-Hands-cropped.jpg" /&#62;

&#60;img width="1159" height="1623" width_o="1159" height_o="1623" data-src="https://freight.cargo.site/t/original/i/e3a91df17097a80c844a57c912faee9ae4279d3f8840f4366c23be7c060854bb/ST101614-small.jpg" data-mid="20164048" border="0" alt="Water Spine &#124; Ink, oil and shellac on a wood and gesso panel &#124; 80 x 60 cms &#124;  2017 &#124; Photo: Steve Tanner       Photo credit: Steve Tanner." data-caption="Water Spine &#124; Ink, oil and shellac on a wood and gesso panel &#124; 80 x 60 cms &#124;  2017 &#124; Photo: Steve Tanner       Photo credit: Steve Tanner." src="https://freight.cargo.site/w/1000/i/e3a91df17097a80c844a57c912faee9ae4279d3f8840f4366c23be7c060854bb/ST101614-small.jpg" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/393bc5cd22ed3b15af9efb479818d0b5f0dd8d04e468aeaa5ae4a867f784d33e/Crying-the-Neck-Installation-web-reformat.jpg" data-mid="78564889" border="0" alt="Crying the Neck &#124; Photo: NICC" data-caption="Crying the Neck &#124; Photo: NICC" src="https://freight.cargo.site/w/1000/i/393bc5cd22ed3b15af9efb479818d0b5f0dd8d04e468aeaa5ae4a867f784d33e/Crying-the-Neck-Installation-web-reformat.jpg" /&#62;
&#60;img width="640" height="640" width_o="640" height_o="640" data-src="https://freight.cargo.site/t/original/i/2beac13f099846d36b38a79fb41ec9e831eb173ce4ebc5b2e6b0d8f5a7f9b7f4/Knight-and-sword.jpg" data-mid="78573169" border="0" alt="Detail &#124; Knight ceramic by Lucy Stein, Saber by Nina Royle &#124; Crying the Neck" data-caption="Detail &#124; Knight ceramic by Lucy Stein, Saber by Nina Royle &#124; Crying the Neck" src="https://freight.cargo.site/w/640/i/2beac13f099846d36b38a79fb41ec9e831eb173ce4ebc5b2e6b0d8f5a7f9b7f4/Knight-and-sword.jpg" /&#62;
&#60;img width="2799" height="1936" width_o="2799" height_o="1936" data-src="https://freight.cargo.site/t/original/i/64109902cd82d013be170007d9c1aed68065c747a7467c43aeafe0b848d62bb6/St-Ia-smaller-web-reformat.jpg" data-mid="78555802" border="0" alt="St Ia installation shot &#124; solo exhibition in the Picture Room at Newlyn Art Gallery &#124; 2019 &#124; Photo: Steve Tanner" data-caption="St Ia installation shot &#124; solo exhibition in the Picture Room at Newlyn Art Gallery &#124; 2019 &#124; Photo: Steve Tanner" src="https://freight.cargo.site/w/1000/i/64109902cd82d013be170007d9c1aed68065c747a7467c43aeafe0b848d62bb6/St-Ia-smaller-web-reformat.jpg" /&#62;
&#60;img width="1065" height="1584" width_o="1065" height_o="1584" data-src="https://freight.cargo.site/t/original/i/cdf26f233ce7c72c8b9936bf4a9609ab6e94cf3f4f96fe8fad2eb63b555989f4/TAN18911-small.jpg" data-mid="20164049" border="0" alt="Fluid Border &#124; graphite and casein glue on a wood and gesso panel &#124; 2017 &#124; 45 x 35 cm &#124; Photo: Steve Tanner" data-caption="Fluid Border &#124; graphite and casein glue on a wood and gesso panel &#124; 2017 &#124; 45 x 35 cm &#124; Photo: Steve Tanner" src="https://freight.cargo.site/w/1000/i/cdf26f233ce7c72c8b9936bf4a9609ab6e94cf3f4f96fe8fad2eb63b555989f4/TAN18911-small.jpg" /&#62;
&#60;img width="1909" height="2362" width_o="1909" height_o="2362" data-src="https://freight.cargo.site/t/original/i/a734194fab9108ee5fda03350d4ff3960bb4408f4b94c301f1daf90e10588da4/bluehand-small.jpg" data-mid="20164043" border="0" alt="Glaucous &#124; 30 minute performance combining painting, spoken word, multiple voice, costumes made in collaboration with Sarah Johnson and music made in collaboration with Benjin &#124; Late at Tate St Ives &#124; 2018 &#124; Photo credit: Daisy Rickman)" data-caption="Glaucous &#124; 30 minute performance combining painting, spoken word, multiple voice, costumes made in collaboration with Sarah Johnson and music made in collaboration with Benjin &#124; Late at Tate St Ives &#124; 2018 &#124; Photo credit: Daisy Rickman)" src="https://freight.cargo.site/w/1000/i/a734194fab9108ee5fda03350d4ff3960bb4408f4b94c301f1daf90e10588da4/bluehand-small.jpg" /&#62;
&#60;img width="3070" height="2031" width_o="3070" height_o="2031" data-src="https://freight.cargo.site/t/original/i/98047ceaa8960da33409dee5bfcc9c1befb80c36804b2a6a4f2bcb2580508fe4/Hand-book-inside-text-web-reformat.jpg" data-mid="78557796" border="0" alt="Detail of book &#124; Glaucous" data-caption="Detail of book &#124; Glaucous" src="https://freight.cargo.site/w/1000/i/98047ceaa8960da33409dee5bfcc9c1befb80c36804b2a6a4f2bcb2580508fe4/Hand-book-inside-text-web-reformat.jpg" /&#62;
&#60;img width="506" height="649" width_o="506" height_o="649" data-src="https://freight.cargo.site/t/original/i/c06eaa7b429c6a6cd718669b95817f264870c6f005a3cd1df8cdbeb1076f1da9/And-this-is-how-I-bury-my-dead-lovers-sm.jpg" data-mid="78575211" border="0" alt="This is Where I Bury my Past Loves &#124; ink and oil on a gesso and wood panel &#124; 24 x 22 cms &#124; 2019" data-caption="This is Where I Bury my Past Loves &#124; ink and oil on a gesso and wood panel &#124; 24 x 22 cms &#124; 2019" src="https://freight.cargo.site/w/506/i/c06eaa7b429c6a6cd718669b95817f264870c6f005a3cd1df8cdbeb1076f1da9/And-this-is-how-I-bury-my-dead-lovers-sm.jpg" /&#62;
&#60;img width="709" height="473" width_o="709" height_o="473" data-src="https://freight.cargo.site/t/original/i/c455475f51cb3919d8b387e9a54073650e6bf652e717e7b6a097e9c9af40ea29/We-Marched-Under-An-Eyelid-Sun_inst_Holly-72-Res-saved-for-web.jpg" data-mid="78574974" border="0" alt="Installation Shot, Tending My Fangs (solo exhibition) &#124; Art Licks Project Space, London &#124; 2019 &#124; Photo: Mariona Otero" data-caption="Installation Shot, Tending My Fangs (solo exhibition) &#124; Art Licks Project Space, London &#124; 2019 &#124; Photo: Mariona Otero" src="https://freight.cargo.site/w/709/i/c455475f51cb3919d8b387e9a54073650e6bf652e717e7b6a097e9c9af40ea29/We-Marched-Under-An-Eyelid-Sun_inst_Holly-72-Res-saved-for-web.jpg" /&#62;
&#60;img width="1296" height="864" width_o="1296" height_o="864" data-src="https://freight.cargo.site/t/original/i/5817411b07e111700ccdadb0f99ad6062729743bc53afbbf1ba27ff80c36b5bf/shelf-small.jpg" data-mid="20164045" border="0" alt=" Physical Forming &#124; a series of 14 paintings propped on shelves &#124; mixed media on shaped wood and gesso panels &#124; Installation shot from &#38;lsquo;Homemade' at Newlyn Art Gallery &#124; 2016" data-caption=" Physical Forming &#124; a series of 14 paintings propped on shelves &#124; mixed media on shaped wood and gesso panels &#124; Installation shot from ‘Homemade' at Newlyn Art Gallery &#124; 2016" src="https://freight.cargo.site/w/1000/i/5817411b07e111700ccdadb0f99ad6062729743bc53afbbf1ba27ff80c36b5bf/shelf-small.jpg" /&#62;
&#60;img width="1102" height="1591" width_o="1102" height_o="1591" data-src="https://freight.cargo.site/t/original/i/fc319c454e0fbb9951046be9d72e53f31a54a4e59a89d8f96a74db935a0575a3/TAN18935-small.jpg" data-mid="20164050" border="0" alt="Erosion &#124; Ink, acrylic and oil on a shaped wood and gesso panel &#124; 30 x 15 cms &#124; 2016" data-caption="Erosion &#124; Ink, acrylic and oil on a shaped wood and gesso panel &#124; 30 x 15 cms &#124; 2016" src="https://freight.cargo.site/w/1000/i/fc319c454e0fbb9951046be9d72e53f31a54a4e59a89d8f96a74db935a0575a3/TAN18935-small.jpg" /&#62;
&#60;img width="2177" height="2953" width_o="2177" height_o="2953" data-src="https://freight.cargo.site/t/original/i/abb0f6077dcc5383e9799b2a8a3adb9b6e7cf8768a207a8cd1408ea91aadf099/Orange-Zigzag.jpg" data-mid="20156206" border="0" alt="Untitled &#124; Acrylic and oil on a wood and gesso panel &#124; 30 x 20 cm &#124; 2016" data-caption="Untitled &#124; Acrylic and oil on a wood and gesso panel &#124; 30 x 20 cm &#124; 2016" src="https://freight.cargo.site/w/1000/i/abb0f6077dcc5383e9799b2a8a3adb9b6e7cf8768a207a8cd1408ea91aadf099/Orange-Zigzag.jpg" /&#62;
&#60;img width="2953" height="1969" width_o="2953" height_o="1969" data-src="https://freight.cargo.site/t/original/i/a0de31e952eff34a24ec272e140fc831e57eea2d4ef84ff6e29c9a3ce6090f98/2019-03-19-Damien-and-The-Love-Guru_0121.jpg" data-mid="78626668" border="0"  src="https://freight.cargo.site/w/1000/i/a0de31e952eff34a24ec272e140fc831e57eea2d4ef84ff6e29c9a3ce6090f98/2019-03-19-Damien-and-The-Love-Guru_0121.jpg" /&#62;
&#60;img width="2953" height="1969" width_o="2953" height_o="1969" data-src="https://freight.cargo.site/t/original/i/c94aacaebc74962b9a7b0c1be3ced890e26d25aa8c656b8539b270a5d3614014/2019-03-19-Damien-and-The-Love-Guru_0116.jpg" data-mid="78626665" border="0" alt="Global Cows &#124; Project and Fresco with Tiziana La Melia, Vanessa Disler, Charlott Weise and Lucy Stein &#124; Damian and the Love Guru &#124; 2019" data-caption="Global Cows &#124; Project and Fresco with Tiziana La Melia, Vanessa Disler, Charlott Weise and Lucy Stein &#124; Damian and the Love Guru &#124; 2019" src="https://freight.cargo.site/w/1000/i/c94aacaebc74962b9a7b0c1be3ced890e26d25aa8c656b8539b270a5d3614014/2019-03-19-Damien-and-The-Love-Guru_0116.jpg" /&#62;
&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/f32b5b43d5b406ed459805a549937f2363b9e8f84e475f6ab345105cafecf66f/Screenshot-2020-07-29-11.51.15-Global-Cows-2020.jpg" data-mid="78626663" border="0" alt="Global Cows 2020 &#124; A double digital fresco with Tiziana La Melia, Vanessa Disler, Charlott Weise and Lucy Stein &#124; CFL Milan and Damian and the Love Guru &#124; 2020" data-caption="Global Cows 2020 &#124; A double digital fresco with Tiziana La Melia, Vanessa Disler, Charlott Weise and Lucy Stein &#124; CFL Milan and Damian and the Love Guru &#124; 2020" src="https://freight.cargo.site/w/1000/i/f32b5b43d5b406ed459805a549937f2363b9e8f84e475f6ab345105cafecf66f/Screenshot-2020-07-29-11.51.15-Global-Cows-2020.jpg" /&#62;
&#60;img width="2404" height="3401" width_o="2404" height_o="3401" data-src="https://freight.cargo.site/t/original/i/e3027ab515521948485159dcdc455d545a932220d30d3e485245ef0caa09c25e/Kissing-Cows.jpg" data-mid="37686323" border="0" alt="Drawing from Global Cows &#124; project and fresco with Tiziana La Melia, Vanessa Disler, Charlott Weise and Lucy Stein &#124; Damian and the Love Guru, Brussels &#124; 2019 &#124;Damien and the Love Guru, Brussels, 2019" data-caption="Drawing from Global Cows &#124; project and fresco with Tiziana La Melia, Vanessa Disler, Charlott Weise and Lucy Stein &#124; Damian and the Love Guru, Brussels &#124; 2019 &#124;Damien and the Love Guru, Brussels, 2019" src="https://freight.cargo.site/w/1000/i/e3027ab515521948485159dcdc455d545a932220d30d3e485245ef0caa09c25e/Kissing-Cows.jpg" /&#62;
&#60;img width="2660" height="3543" width_o="2660" height_o="3543" data-src="https://freight.cargo.site/t/original/i/54842eb01e1bfede9a6cd49e57b6b792b047642513dd70832c85b85df7f36b0c/2019_Passage-Across-an-Eyelash.jpg" data-mid="78555796" border="0" alt="Passage Across and Eyelash &#124; ink, watercolour and oil on a wood and gesso panel &#124; 24 x 22 cms &#124; 2019" data-caption="Passage Across and Eyelash &#124; ink, watercolour and oil on a wood and gesso panel &#124; 24 x 22 cms &#124; 2019" src="https://freight.cargo.site/w/1000/i/54842eb01e1bfede9a6cd49e57b6b792b047642513dd70832c85b85df7f36b0c/2019_Passage-Across-an-Eyelash.jpg" /&#62;
&#60;img width="2923" height="3543" width_o="2923" height_o="3543" data-src="https://freight.cargo.site/t/original/i/3adb54c928aab37eec094bc4be845031efcae1bb5121b6d91a8163bf0ada348f/Night-Compost-web-reformat.jpg" data-mid="78564906" border="0" alt="Night Compost &#124; Distemper and oil on a gesso and wood panel &#124; 24 x 22 cms &#124; 2019" data-caption="Night Compost &#124; Distemper and oil on a gesso and wood panel &#124; 24 x 22 cms &#124; 2019" src="https://freight.cargo.site/w/1000/i/3adb54c928aab37eec094bc4be845031efcae1bb5121b6d91a8163bf0ada348f/Night-Compost-web-reformat.jpg" /&#62;
&#60;img width="3543" height="2577" width_o="3543" height_o="2577" data-src="https://freight.cargo.site/t/original/i/84a668d3bd03258044fe82626163c9ed76ef9f32fabe5b892d721cd6bfc4e8ea/Tate-BLUE-114.jpg" data-mid="78565960" border="0"  src="https://freight.cargo.site/w/1000/i/84a668d3bd03258044fe82626163c9ed76ef9f32fabe5b892d721cd6bfc4e8ea/Tate-BLUE-114.jpg" /&#62;
&#60;img width="2736" height="1969" width_o="2736" height_o="1969" data-src="https://freight.cargo.site/t/original/i/81fbd8039264db3eb6d6ea0c1fecd88bd1c735774d0dfc02bae5962f07f972c9/Tate-BLUE-94-web-format-2.jpg" data-mid="78623468" border="0" alt="Glaucous &#124; Photo: Tate St Ives and Kristin Prisk" data-caption="Glaucous &#124; Photo: Tate St Ives and Kristin Prisk" src="https://freight.cargo.site/w/1000/i/81fbd8039264db3eb6d6ea0c1fecd88bd1c735774d0dfc02bae5962f07f972c9/Tate-BLUE-94-web-format-2.jpg" /&#62;
&#60;img width="624" height="886" width_o="624" height_o="886" data-src="https://freight.cargo.site/t/original/i/3dd41aaa0c8411b37061a607a63e390b9e18c03d39e1dda5bf47a10770b794b8/Crying-the-Neck-Poster-web-.jpg" data-mid="23981988" border="0"  src="https://freight.cargo.site/w/624/i/3dd41aaa0c8411b37061a607a63e390b9e18c03d39e1dda5bf47a10770b794b8/Crying-the-Neck-Poster-web-.jpg" /&#62;
&#60;img width="1969" height="2953" width_o="1969" height_o="2953" data-src="https://freight.cargo.site/t/original/i/3d98086772bf343b0f88aeb53dadbb3d86b8c3915f72be93ada02c85ee46be6b/Thalassic-Cycle-_web-reformat.jpg" data-mid="78555801" border="0" alt="Thalassic Image Cycle &#124; ink and oil on a shaped gesso and wood panel &#124; 80 x 60 cms &#124; 2019 &#124; St Ia" data-caption="Thalassic Image Cycle &#124; ink and oil on a shaped gesso and wood panel &#124; 80 x 60 cms &#124; 2019 &#124; St Ia" src="https://freight.cargo.site/w/1000/i/3d98086772bf343b0f88aeb53dadbb3d86b8c3915f72be93ada02c85ee46be6b/Thalassic-Cycle-_web-reformat.jpg" /&#62;
&#60;img width="2953" height="1926" width_o="2953" height_o="1926" data-src="https://freight.cargo.site/t/original/i/3166ba1b0674cffcd82b27a0fdf1059892d191a893917488b6efc3b7405f797d/tooth.jpg" data-mid="78573142" border="0" alt="Detail: Porcelain tooth &#124; St Ia &#124; Photo: Steve Tanner" data-caption="Detail: Porcelain tooth &#124; St Ia &#124; Photo: Steve Tanner" src="https://freight.cargo.site/w/1000/i/3166ba1b0674cffcd82b27a0fdf1059892d191a893917488b6efc3b7405f797d/tooth.jpg" /&#62;
&#60;img width="3543" height="2204" width_o="3543" height_o="2204" data-src="https://freight.cargo.site/t/original/i/1cfa5910ce670f6a0e248b917e57851d20e3b3b4779561ecac89be6f50f918c2/St-Ia-Installation-web-reformat.jpg" data-mid="78555799" border="0" alt="Installation shot &#124; St Ia &#124; Newlyn Art Gallery &#124; Photo: Steve Tanner" data-caption="Installation shot &#124; St Ia &#124; Newlyn Art Gallery &#124; Photo: Steve Tanner" src="https://freight.cargo.site/w/1000/i/1cfa5910ce670f6a0e248b917e57851d20e3b3b4779561ecac89be6f50f918c2/St-Ia-Installation-web-reformat.jpg" /&#62;
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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;




	
	
&#60;img width="2542" height="1850" width_o="2542" height_o="1850" data-src="https://freight.cargo.site/t/original/i/45779dddc11c7ebcfe622941f48ec3b0e009047c4d2e5863d18eb206ef80eed2/skybody2-cropped-to-disc-72-res.jpg" data-mid="20164789" border="0" alt="Photo credit: Daisy Rickman" data-caption="Photo credit: Daisy Rickman" src="https://freight.cargo.site/w/1000/i/45779dddc11c7ebcfe622941f48ec3b0e009047c4d2e5863d18eb206ef80eed2/skybody2-cropped-to-disc-72-res.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Writing</title>
				
		<link>https://ninaroyle.co.uk/Writing</link>

		<pubDate>Wed, 29 Aug 2018 11:51:12 +0000</pubDate>

		<dc:creator>Nina Royle</dc:creator>

		<guid isPermaLink="true">https://ninaroyle.co.uk/Writing</guid>

		<description>

	
&#38;nbsp;
	Amalgam

	
 &#60;img width="2148" height="2700" width_o="2148" height_o="2700" data-src="https://freight.cargo.site/t/original/i/30e17f60ea69a493c7e8c80805470acd9c52ddcae288ccc6d194fc566a383005/Front-cover.jpg" data-mid="85606397" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/30e17f60ea69a493c7e8c80805470acd9c52ddcae288ccc6d194fc566a383005/Front-cover.jpg" /&#62;&#38;nbsp; &#38;nbsp; 
 



	








‘AMALGAM: COLLECTED WRITING’
by NINA ROYLE

Published by
KINGSGATE PROJECT SPACE / FOLIUM
 2020


Authors:
NINA ROYLE

DAN HOWARD-BIRT

Editor:
MARIA CHRISTOFORIDOU

Design:
FOLIUM (STEWART HARDIE &#38;amp;
HARRY GAMMER-FLITCROFT)

ISBN: 978-1-8381391-0-0

Softcover, 98pp, 24 x 17cm, black &#38;amp; white, ed. 350

RRP £15

Kingsgate Project Space and Folium are proud to launch Amalgam, a collection of performance texts and poems by
Nina Royle.
Using the disconcertingly simple subject of colour, the two principal texts in this book weave fascinating and
disquieting tales of trade, exploitation and power. Beginning with the way names are given to particular colours and
tracing routes from the mining of pigment-bearing minerals and the harvesting of hundreds of thousands of sea snails,
through colonialisation and the popularising of religious metaphors (good and evil, purity and virginity), to the
colouring of the sails of Cleopatra’s barge, the National Gallery’s Wilton Diptych and the uniforms of the French army.
Drawing on texts from Christopher Columbus to Rachel Cusk; Forough Farrokhzad to Derek Jarman, and mixing
alchemy, the gods of ancient Egypt and C.20th space travel, these texts ask the reader to consider the complex
implications bound up in calling blue ‘blue’, or black ‘black’.
Originally written as texts for performance art works at Tate St Ives and NICC (Brussels), and expanded and revised for
this book, the writing blends mantra-like incantations with declamatory speech; poetic musing with clear-sighted
social observation. Two further poems complete this book. The first connects a C.15th church wall painting of a
mermaid with an acupuncture session. The second considers the thin membrane that separates domestic living from
urban wildlife.
An essay by artist and curator Dan Howard-Birt introduces the book by asking the reader to think again about a
continuing value of Wunderkammer, where the meaning of objects is not imposed by order and taxonomy, but hovers
between objects to be felt by the viewer. This conjuring of meaning between different voices, he argues, runs to the
heart of Nina Royle’s writing.



 











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&#38;nbsp;&#38;nbsp;

	




 









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		<title>CV</title>
				
		<link>https://ninaroyle.co.uk/CV</link>

		<pubDate>Wed, 29 Aug 2018 11:47:45 +0000</pubDate>

		<dc:creator>Nina Royle</dc:creator>

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EDUCATION

2014 - 2016: Masters of Fine Art, Slade School of
Art, UCL, London 

2006 - 2010: Bachelor of Fine Art, Slade School of
Art, UCL, London


2005 - 2006: Fine Art Foundation,University
College Falmouth, Cornwall




SELECTED
GROUP EXHIBITIONS
Forthcoming:
May 2021 (solo show), Kingsgate Project Space, London, Uk
2020
KPS (project) Kingsgate Project Space Postal Service, London

From the Field (project) Fieldnotes, Cornwall
Global Cows 2020 (collaborative online project with Charlott Weise, Tiziana La Melia and Vanessa Disler) Hosted by Conceptual Fine Arts, Milan and supported by Damian and the Love Guru, Brussels
Chicken Nuggets, (group show curated by Ben Sanderson), Pool School Gallery, Cornwall


2019

Unbounded (group show) Eden Project, UK
Tending My Fangs (solo show) ALPS, London, UkListen to the Hum (group show) Alice Black Gallery, London, Uk
&#38;nbsp;
St Ia (solo show) The Picture Room, Newlyn Art Gallery, UkLunar Gardening (group show) Kingsgate Project Space, London, Uk
Hospital Rooms (mural commission) The Junipers MBU Ward, Exeter,
The World as yet Unseen: Female Artists in Coverstaion with Partou Zia (group show) Falmouth Art Gallery, CornwallGlobal Cows (collaborative project and exhibition with Lucy Stein, Charlott Weise, Tiziana La Melia and Vanessa Disler) Damien and the Love Guru, Brussels,&#38;nbsp;2018 


Glaucous Performance commissioned
 for Late at Tate St Ives, Cornwall
Forced Collaboration (online project) https://forcedcollaboration.org/


Where it is, There it is, (group show
curated by Liam Jolly and Rosanna Martin) 
Auction House, Cornwall


In the Manor of Smoke, (group show),
Alice Black, London


2017 


Lexis Over Land: Towards a Feminist
Geography (group show curated by Nina Royle) Tremenheere Sculpture Garden,
Cornwall


Becoming and Dissolving (group show) Alice Black,
London
Crying in the Neck (collaborative performance and exhibition with Lucy
Stein) NICC, Brussels, 

Thalassic Trace (solo show) The Picture Room, Newlyn Art Gallery Cornwall


Footfall Art (group show)
Walthamstow, London, &#38;nbsp; &#38;nbsp; Visceral (group show) Coates and Scarry, London &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;2016


Homemade (group show) Newlyn
Exchange, Cornwall&#38;nbsp;



Floating Worlds (group show) Safe
House, Peckham, London


2015 
Exeter Open (group show) Exeter Phoenix, Exeter
 



AWARDS,
SCHOLARSHIPS, RESIDENCIES

2017&#38;nbsp; 


The Cornwall Workshop (residency)
Kestle Barton, Cornwall, UK
2014 &#38;nbsp;


The Dora Carrington Painting
Scholarship (awarded by The Slade School of Art)
2011 &#38;nbsp;


Artist in Residence, Slade Summer School,
UCL, London, UK
2010 


The Aiden Threlfell Trust Award,
(awarded by the Goldsmiths company)



 



IN PRINT
2020

From the Archive (Online interview with Holly Willats) Art Licks&#38;nbsp;
2018 
Between Fog Rocks and Poldark, (article, Nina Royle) Art Licks Magazine, Issue 23
2017 
Lexis Over Land: Towards a Feminist
Geography,(exhibition text, Nina Royle).&#38;nbsp;
2016 
Reverse Libations, (Artist’s Pages),Art Licks Magazine, Issue 20
2015 
Why White, Black, Red (book made in&#38;nbsp;collaboration with Andrew Lanyon)
2014 
Sumi Ink (Book: A poetic manual on Japanese Ink) Self-publishedin hardback and paperback form. &#38;nbsp;



 



PROJECT
RELATED 


2011 
Three months in Kyoto, Japan, researching colour use in Japanese woodblock printing in two artists studios:
Richard K Steiner and Kinoharu Yamada
2011
Three months in Jaipur, India, researching colour use in Indian miniature painting, in the studio of Ajay
Sharma.
2010
Internship archiving the Artist’s
Colour Museum Winsor and Newton, Harrow and Wealdstone, London, UK



 



SELECTED
WORKSHOPS AND TEACHING



2019
Senior Painiting Technician at Falmouth Univeristy, Cornwall


Waterbabies for Babies, Workshop with Lucy Stein at Caraboo Project Space, Bristol
2017
If Painting Could be a Place I’d Name
it Penwith, artist talk and workshop at Camborne College, commissioned by
Groundwork,&#38;nbsp; Cornwall &#38;nbsp;&#38;nbsp;
Artists talk and workshop on painting
grounds, Plymouth College of Art, Devon
Ivory, Lamp, Mars workshop on black
pigments at Bath School of Art and Design, Somerset



 










 








 

























































 
	
	
 




	
	
	
	

	
	
	
	

	
	


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		<title>Contact</title>
				
		<link>https://ninaroyle.co.uk/Contact</link>

		<pubDate>Wed, 29 Aug 2018 11:48:29 +0000</pubDate>

		<dc:creator>Nina Royle</dc:creator>

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